Through the Boomers project, She becomes intrigued by the ‘past’ stories heard from subjects. While photographing the ‘Ajeossis’, She discovers that they primarily share stories from the past. The emotion arises as the narratives within the photos, believed to capture the present, continually flow into the past. She feels a sense of the stories within the photos, initially thought to record the present, persistently drifting into the past.
Through the past, the ‘Ajeossis’ engaged in both denying the present, providing self-comfort, and transcending time gaps. In this way, she present scenes of memories as “Yesterday”.